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"Sound Effects: Estella is making noise at the Court Tavern" Recent Review: The Aquarian Weekly "Rectifying The Difference
With Estella" Estella is a central shore based four piece combining occasionally eclectic movements, variations and electric fugues with force, impact and delicacy; think Spectacle X, Spiraling or a more visceral Spyro Gyra meet the newly alien feel of Pink Floyd's Dark Side Of The Moon. Estella
is Stephanie Scola, vocals, Dominic Nicosia, bass guitar,
vocals, Michael Nicosia, guitar, vocals, vocoder, noises,
John Beyer, drums, percussion and Dan Wyche on guitar
on selected songs, and some of the players in this unit
were in a band fronted by Mike called Rectify The Names
that left audiences both stomping their feet and spellbound
on every song. Michael Nicosia and his brother Dominick write most of the material, and I know I say this like a mantra about many bands, but the overall effect is just enthralling. Estella pull you in, mystify you like a child and it works. Michael was influenced by Godspeed, You Black Emporer and Hum, and he also credits The Smiths and The Catherine Wheel with having an influence on this current body of stuff. Vocalist Scola just smoothly wails a vocal stream of consciousness following the dreamlike guitar of "Hands To Battle Stations" as sharply defined, galactically edged guitars and Beyer's stark tomtoms waltz alongside Stephanie's vocals like "My words will tell you nothing you don't already know..." Heavy elektronika, spacey fadeouts and driving drumworks define "For Hire" giving it a futuristically funky yet cerebral feel. The fluidly moody arrangement gives life to "Stephen," with heavy to light guitars and goose-bumpy vocals that are mindful of Evanescence in a slower, paced out mode. From organic to ironic to carressing then simply midblowing seems to be the process rather than the effect, and another Evanescence-liek number comes together in "In a Season...," a song with more of a pop edge than others that goes from dense synth and vocal riff calamity to calm in a screaming heartbeat, with the polar bear in a snowdrift lyrical logic of "deeper snow leaves deeper footprints"... Also dug the space rock/prog meets alternative of "Absence Of All Action" in a song that goes places Ashlee Simpson couldn't find with a laser beam. Also liked the upbeat inventory and thanks for a relationship that is "Greater Expectations," and the long hallway in outer space that becomes "Tourniquet Of The Century"... Overall this band brings out a new level of intensity of indie rock, and I do not doubt that this is only a beginning to a long lyrical life and path for Estella. Like fawns grappling in the woods or dark orbs grazing each other in deep space, this band brings your head and heart to places you'd never go otherwise, and makes you yearn to return for another outing of adventure. Estella: Estella
is a four piece music group formed in the fall of 1999
in the greater suburban Monmouth County area. They now
consist of Stephanie Scola- vocals, cello, piano, guitar,
Dominic Nicosia- bass, vocals, piano, Michael Nicosia-
guitar, keyboard, vocals, and John Estella
treads a thin line, dancing between a heightened sense
of lush melodic tradition, and epic, effects driven, blissfully
controlled chaos. While the dual girl/boy vocal work seems
to be enough to carry each song, there is an absolute
insistence on instrumentation; more specifically, the
music itself succeeding beyond the surface of a wonderful
vocal; and without ruining or crowding the song. Because
of this, the average listener could be fooled into listening
to them for sheer entertainment, but getting a steady
dose of true artistic expression while doing so; sort
of like eating something that tastes good and is good
for you. Stephanie Scola: Vocals,
Guitar, Cello. |
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